How to be an Indie Author 6: Publishing Print

This is the sixth post in a series about self-publishing from ideation through sales. To check out other posts in this series, click here.

Last time I covered a lot of ground when discussing digital publishing. This time I'm going to explain a few of the differences that you need to consider when publishing for print a.k.a. print-on-demand a.k.a. POD.

Nuts and Bolts

The biggest thing at issue here is formatting your manuscript. As I mentioned in the formatting post, that will make or break you. For POD, it takes me at least two days when using a template. Assuming you've done the hard work of formatting your manuscript (and I really recommend using a template, typically provided by the POD printer/distributor) there are a few other concerns that make the POD process distinct from digital publication:

1. Book type and
2. Distribution channels
   

Book Type

I'm using "book type" as a shorthand for page size and binding type. No doubt you own a few different sized books. Some genres tend towards larger sizes, where others tend to be smaller. Some make sense with a spiral binding, where others really need a traditional spine. Think about the genre of your book and typical sizes/binding types. Whatever is normal for your book's genre is what you want for your book.


The book size and binding type will dictate the manuscript template you need. They must match. If you got the wrong size or weren't thinking about things, you're going to need to reformat. Suck, I know, but necessary.

This will also dictate the kind of cover you need to have. Some POD printer/distributors (like the one I use, CreateSpace) have cover creation applications on their sites where you can plug in high res pictures and some text without too much hassle. If you want to have a custom cover, they often have templates you can use to make and upload your own. Typically I do a hybrid version where I have a full cover image and then the spine and back are "plug and play."

Distribution

After you've got your ISBN, your cover is made, your files are free from errors, you finally get to proof your book. Sometimes this means you have to purchase an author proof. Sometimes it means you get to view the book for free digitally. Whatever the case, you make your choice and the book gets proofed. Now you're ready to publish the book which means several things:

1. Selecting categories (should be the same as you had for your digital version)
2. Setting price (should be high enough that you make royalties but low enough that readers will buy it)
3. Selecting distribution channels (so the most readers can access your book)

Categories and pricing are important when considering distribution. You want people to be able to find your work. The more websites that sell it, the more libraries that carry it, the better. At the very least, it needs to be on Amazon because of the wide reach of the site. CreateSpace is an Amazon company, so when I publish my books, I get both a CreateSpace store (where I get maximum royalties) and my book gets added to the Amazon market quickly. I also have expanded distribution options where libraries and booksellers can purchase copies of my books.

Now, I should explain why I chose CreateSpace. I wanted something easy that didn't have any upfront costs. I liked that I had an ISBN that didn't require extra fees and I didn't have to order a hundred copies of my book when I didn't know how many people would be purchasing it. Anyone can go to my CreateSpace store and buy a copy of THRIVE: HOW I BECAME A SUPERHERO, for example, and the book gets printed immediately for them. That is the beauty of POD.

There are a lot of other POD printer/distributors and authors have a variety of reasons for choosing those companies. In fact, some small presses use them because the cost is so much less than ordering 1000 copies of a book. It honestly doesn't matter which ones you choose, as long as they connect with major channels and have the features that work best for your goals and situation. Ultimately that is joy of being an indie author - one size doesn't fit all.

Publish the way that works best for you, because that is what will give you the greatest fulfillment and the highest probability of success.
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Leave a comment below to share your thoughts on the POD process as well as any tips and tricks you've picked up on the way!

Also check out my next post in this series where I will begin discussing the marketing and sales process. 
 
Visit my website to donate, become a patron, or buy my books! I recently made some serious updates to the site and I'd love your thoughts. Be sure to check out my updated Amazon Author Page. You can get all the fiction there as well as THRIVE and TRANSFORM TO THRIVE, my tweets, and more! 

How to be an Indie Author 5: Publishing Ebooks

This is the fifth post in a series about self-publishing from ideation through sales. To check out other posts in this series, click here.

In the last post for this series I wrote about formatting, the prep for publishing. Now is time to get into the nitty gritty of publishing.

This is a behemoth of a post with info about jacket summaries and cover art, so get comfortable. Let's talk about the thing you've been waiting for - the thing that makes an indie author, well, indie.

Digital Power

The bread and butter of indie publishing, the thing that really launched independent authors was the ebook. This is to authors as the MP3 is to musicians. It revolutionized the publishing world and allowed authors to take control of their publishing destinies directly - something that is completely novel (heh) in the history of publishing.

Also, publishing an ebook is something that a monkey can do.

Really.

Author Joe Konrath once challenged people to write and publish an ebook in 8 hours. And people did it. A lot of people did it. Because it is so dang easy.

The difference between publishing an average ebook and a good ebook is formatting (assuming all else is equal). If you have your formatting done by professionals, through a reliable template, or you're old hat at the process, you're golden.

Jacket Summary

Before you get to the publish page of Smashwords (my preferred e-publisher/distributor for its wide reach and high royalty percentage) you need to spend a little time on descriptions.

There are usually two descriptions you need to write - the short, which shows up on all online retailers, and the long, which only gets pushed to a few.

To be honest, I open a separate document which I save to my book folder as "Book Title Summary" and write as compelling a summary as I can, without concern for length. I know my long description is always shorter than the character count.

There are a lot of resources on how to write jacket summaries, but the thing that I've found the most helpful is:

1. Look at best-selling book summaries in the same genre.
2. Don't give everything away.
3. Somewhere in your closing paragraph or last sentence use this formula: "[main character] must do [certain action] or [result]."

This formula is the 140 character Tweet you'll send out to catch people's attention. It's the lead for your elevator pitch. It's the thing that will get someone to buy the damn book. That said, this won't always work. Sometimes a description does well without this formula. For example here is the long description for BELOW THE BELT:

Alisa Greer excitedly begins her doctoral program in anthropology when she meets Dr. Corwin Pierce. An awkward genius, she swears his eyes change color as a result of the light, and his cold appearance can only be a figment of her imagination. Yet as Alisa gets closer to Pierce, things even more bizarre start happening on campus and at archaeological sites that all link back to him. Students go missing under strange circumstances and inexplicable displays of light occur at ancient sites across the globe. Frightened and fascinated, she can only begin to guess who or what he is. But the truth is more disturbing than she can imagine...

My quick and dirty way to get the short description is cut this down to size in the field on the publishing page. The key is to get the content and interest generation despite the shorter length. Here's the short description I have for the same book:

Alisa Greer excitedly begins her doctoral program in anthropology when she meets Dr. Corwin Pierce. As Alisa gets closer to Pierce, bizarre things start happening on campus and at archaeological sites that all link back to him. She can only begin to guess who or what he is, but the truth is more disturbing than she can imagine... 

Book Covers

Never judge a book by its cover, unless it's an ebook.

That may as well be the message of most "indie publishing gurus." As much as authors may wish people would not judge books by covers, they do. And let's face it, if an author doesn't spend the time to make their cover look nice, how can you be sure they spent the time on their book?

I say this, knowing full well I spend a shit-ton of time on my covers. In fact, they give me a tremendous amount of grief...and they don't look like anyone else's.
I did that on purpose because I wanted the art to reflect the nature of the stories. For the Khloe Alwell series, I wanted the covers to hint at an artist's sketchbook. The main character is an artist, and art is referenced throughout the books.

That said, I am not a graphic artist. I've spent a lot of time and effort earning the knowledge of cover design I have, and it's imperfect. I went from horrible covers when I first started out, to something that is passable, and finally, with my new Rollins Pack covers, to something that is sort of, well, good.

You can, if you don't want to deal with this mess, pay someone else to make your cover. In fact, I would advise you do that if you have the resources to do so. If not, or if you're not concerned with graphics and just want a simple cover for a business book or something, use templates. There are a thousand and one sites that have resources for this.

If you choose to go the DIY route, do that. I never did that because, I have some art training and I wanted to learn the photo-editing skills it would take (also I didn't have the cash to pay someone else at the time).

If you're crazy or beyond broke, you can do what I did. Download GIMP for free (yay open source!). If you've worked with Adobe before, GIMP will feel relatively natural. If not, play around with it for a while. Spend some serious time doing this. Figure out the ideal scale for your cover, make sure to have it at least 300 DPI, and go to town. Download some free for commercial use fonts (there are a gagillion sites for this) and enjoy.

NOTE: This will take you a week of tweaking, especially if this is all new. Be patient and prepared to swear at your screen. Have things that are safe to throw nearby. And take breaks.

Categories

This is something that is somewhat arbitrary and mystical. For many books, the categories you choose will be cut and dry, but for others, you have wiggle room.

I honestly have no idea what categories to choose for most of my fiction - well, I should say, I struggle with categorization. But categories are important because this is how new readers may find you.

Actually, I lied. I know exactly what categories to choose. Choose the categories your ideal reader would choose.

*Blinks*

Who is this mythical ideal reader? For the Rollins Pack, they're late teen to early twenty-something males.  For Khloe Alwell, they're the same age, both male and female, who are deep into nerd culture. So sometimes labelling these books as YA is good, and then again, maybe it would be better to label them "new adult." My deciding factor was the age of the main character - so I keep them YA (If this is confusing, don't worry. We'll touch on this again in marketing and sales.).

PUBLISH!

Everything's entered on the publish page. You set a preliminary price (probably between 2.99 and 4.99 for the average ebook) and hit the publish button. You select all the different file types (of course!) and click through. Your book is in queue. You get an email saying it had no autovetter errors (if it did, follow the directions in the email). Now it gets reviewed and then, assuming everything's good (which is should be if you have good formatting) your book gets pushed to all the major online retailers.

Sit back and smile.

You are now an independently published author.

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If you have tips or tricks on descriptions, cover art, or categorization (or like a different digital distributor) leave a comment below! I love learning more about indie publishing and I know other readers will too!

Also check out my next post in this series on publishing print-on-demand where I will talk about the differences in that process. 

And please support your local, lovely indie bootstrapper, by visiting my website to donate or buy my books! All the links on my site give me maximum royalty percentages, as opposed to supporting big companies.